Captain Glen’s Comfort is the much awaited debut album from one of the folk scene’s fastest rising bands, Pons Aelius. Due out on September the 8th, the album showcases the sextet’s expansive sound and unique approach to the traditional music of Britain and beyond; from fiery bagpipe jigs to tender mandolin fronted soundscapes, and everything in between.
Since winning a prestigious Celtic Connections Danny Kyle Award in their early days, Pons Aelius have spent the last two years tirelessly honing their sound on stages both at home and abroad, quickly earning themselves a reputation as one of the most exciting new names on the circuit.
“Our number one priority when we were making the album was to try and record as much of the energy of our live performances as we could”, says flautist Sam Partridge.
Recognising that this would be no small task, the band assembled a crack team to help them capture their enormous sound: acclaimed Piper/multi-instrumentalist Calum MacCrimmon (Breabach/Man’s Ruin/Tryst) was pivotal in the pre-production phase, whilst veteran audio-wizards Mattie Foulds and Stuart Hamilton were tasked with the mixing and mastering respectively. The result is a... morecredits
released September 8, 2017
All sets arranged by Pons Aelius:
Jordan Aikin - Pipes/Whistle, Tom Kimber - Tenor Banjo/Mandolin, Bevan Morris - Bass, Sam Partridge - Flute, Alasdair Paul - Guitar and Bouzouki, Callum Younger - Bodhrán and Cymbals
Mattie Foulds - Mixing, Stuart Hamilton - Mastering, Calum MacCrimmon - Trad Consultant, Dominic Younger - Photography and Artwork